Finally, after 5 long years, years
filled with subpar films such as The Dark Knight or The Avengers, years filled
with the dullest films to come along in years like Super 8, Star Trek, or even
Captain America, we finally have a Spiderman film. Those dark days of waiting
to see our friendly neighborhood webslinger finally get the big screen
treatment is over. 2012 will be long remembered for bringing us exactly what we
were all calling for: The Avengers and The Dark Knight Rises. And shoved right
in between these two, amongst the rest of the summer releases, is Spiderman.
The Amazing Spiderman is not a bad
film, it's just not a great film and it is certainly not a film we needed. You
see, the main problem was the exact thing that I was mostly worried about and (if
you were unlucky to hear me talk about it in person) I've been vocalizing for
months. It is yet another retelling of Spiderman. Yes, kiddos, we get to see
how Spiderman became Spiderman. Again.
Alright, so it's not the exact same
story, nor is it the exact same timeline. Instead we are treated to a Peter
Parker with parent Daddy issues,
who likes to skateboard, and likes to take pictures, and (this is completely
left to the audience to determine) apparently has a crush on Gwen Stacie. Then, one day, out of the blue, and completely
unexpectedly, he gets bitten by a spider that somehow gives him superpowers!
Boom! Now, let's make a 2 hour movie retelling those last few sentences.
How does that head fit under that mask? |
To his credit Andrew Garfield makes
the role his own. You pretty much forget about Maguire immediately, but that
was the point, to forget the last films. This is a new beginning, and so we get
a different Peter. He has been raised by his (awesomely cast, but underused)
Aunt Mae (Sally Field) and Uncle Ben (Martin Sheen) after his parents dropped
him off to go and run off and do…something. Honestly, that is where the first
major fail of the movie lies, in the ridiculous parent's subplot that keeps
trying to rear its ugly head. In fact, the film has to constantly remind you
about that because you just don't care about his parent. Not one bit. Did you
know that Peter's parents did something and then something happened and then…who
cares? Of all the things that were so-so
about this film, that parents BS is pretty much a glowing example.
The only real reason to see the movie |
Emma Stone is wonderful as Gwen.
She looks the part perfectly, and you really do care about her as a character.
However, we aren't really given a huge connection between her and Peter other
than a few moments of dialogue and the fact that Peter has been taking pictures
of her and has one on his computer. Unlike in the original films which showed
Peter fawning over Mary Jane from the beginning, we don't get that sort of
connection until after things are already in motion. Still, their relationship
feels real and you do care about them as a couple, so good on that. In the end, you are pulling for these two to
stay together, against all odds. If the film does one thing correctly, it's
getting this one relationship to come across the really wonderful thing that it
is.
Then there is the Lizard as the bad
guy. Rhys Ifans is given stuff to do, but nothing that we haven't seen before,
you know the desperate scientist who forced to make a difficult, but
ultimately, bad decision. Actually, the whole Lizard subplot is rushed. Here is
my take on the Curt Connors/Lizard/ Peter Parker relationship:
Curt: Peter, I knew your father.
Peter: Yay,
let me give you this formula to help your expriements
Curt: They
are going to shut me down, so I will take this formula! ROAR! I AM A MONSTER
Peter: Oh
no! It's my fault! I need to stop him
Curt: I
can use this power to save all of mankind--ROAR I'M A LIZARD!
Peter:
I am going to stop you!
Curt: ROAR!I AM GOING TO MAKE
EVERYBODY ELSE A LIZARD! WHICH MAKES VERY LITTLE SENSE, BUT OK, BECAUSE IT
WORKS FOR THE PLOT, EVEN THOUGH ONCE THINGS GET IN MOTION IT WILL BE ADDRESSED
QUICKLY, THEN RESOLVED!
Peter: I've saved the city! Imma
hero!
Curt: I am in jail, and this end
scene that takes place after the credits roll makes no impact and therefore is
pointless.
Your a lizard, Connors! |
Honestly, I know that there are
loads more to this relationship, but really the Curt Connors/Lizard plot was
pretty indifferent. I never felt any real connection to Curt, nor to his
plight. Not to mention replace The Lizard with Doc Ock and you have almost the
same villain plot from Spiderman 2. Not 100%, but it's there. But when the
Lizard comes out, we are treated to some great CGI that doesn't at all looking
like it is totally not realistic. If I were to put a real lizard on screen next
to the CGI one, I wouldn't be able to tell which was which.
Listen, I know it sounds like I
hated this film, but I really didn't. It was actually good. Since Spiderman 2
is my favorite of the Spiderman films the order of the films goes like this, 2,
Amazing, 1, 3. There are some really good things here. For one, it is pretty to
look at. For another Emma and Andrew do have some great chemistry. We are also
given a great pairing in Sally and Martin as Mae and Ben, even if they are
really, really, really underused. I will even give it credit for not putting in
THAT MOMENT that I have also been railing about for a while. You know, THAT
MOMENT when suddenly, and without warning his cartridge of webbing runs out and
he begins to fall. Yeah, THAT MOMENT never happens, and I couldn't be happier. Still, Rhys' Connors is underdeveloped, which
hurts his character in the end. Peter loves taking off his mask and letting
everybody see his face, which borders on farcical by the end, and Denis Leary
is hardly used at all for more than just being Denis Leary in a vest. These
added to the stupid parent subplot don't help to elevate it to the heights it
needed to be to really make me forget the last films.
Now, loads of people are going to
disagree, and that's fine. It is a fun summer movie, and if these movies keep
going like this, well, the series might wind up being pretty good.
Do I recommend it? Sure, why not. I
didn't walk out feeling ripped off or of not being entertained, so that is
saying something. Still, it doesn't help that it retells the origin with a
slight coat of paint to redress it.
If you are having Avengers
withdraws and you are pacing, waiting for the Dark Knight, this is nice filler.
A quick note about the score: James
Horner gives us a lot to go on, and it sounds pretty good, but we don't have a
connecting theme, and therefore it feels like it needs something else. James
does some of his normal tricks but it's been forever since I last heard
something of his that I actually enjoyed, I honestly didn't seem to be bothered
by it.
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